Halloween undone

I just came upon a refreshing refresher on the (historical) origins of the "Zombie."

In an antidote to the spectacularization of the Zombie by Hollywood, Amy Wilentz says that the Zombie was born in the midst of slavery, especially as a response to the excruciating cruelty inflicted by the French in the slave plantations of Haiti.

There is a compelling reason why American parents should prevent their kids from donning "fun" Zombie costumes:

There are many reasons the zombie, sprung from the colonial slave economy, is returning now to haunt us. Of course, the zombie is scary in a primordial way, but in a modern way, too. He’s the living dead, but he’s also the inanimate animated, the robot of industrial dystopias. He’s great for fascism: one recent zombie movie (and there have been many) was called “The Fourth Reich.” The zombie is devoid of consciousness and therefore unable to critique the system that has entrapped him. He’s labor without grievance. He works free and never goes on strike. You don’t have to feed him much. He’s a Foxconn worker in China; a maquiladora seamstress in Guatemala; a citizen of North Korea; he’s the man, surely in the throes of psychosis and under the thrall of extreme poverty, who, years ago, during an interview, told me he believed he had once been a zombie himself.