In college I used to underline sentences that struck me, that made me look up from the page.
[To me] these were a handful of words artfully arranged to stop time, to conjure a place, a person, a situation, in all its specificity and dimension.
From James Joyce's Araby:
The cold air stung us and we played till our bodies glowed.The sentence is measured, unguarded, direct and at the same time transcendent. It distills a precise mood; radiates with meaning, yet sensibility is discreet. The best sentences orient us, like stars in the sky, like landmarks on a trail.
Only certain sentences breathe and shift about like live matter in a soil.
Not sure who wrote the following:
The urge to convert experience into a group of words that are in grammatical relation to one another, is the most basic, ongoing impulse in my life.
On days when I am troubled, when I am grieved, when I am at a loss for words, the mechanics of formulating sentences, and of stockpiling them in a vault, is the only thing that centers me again.
Contrasting a sentence is the equivalent of taking a Polaroid snapshot: Press the button, wait for something to emerge.
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